Rowan Atkinson's latest foray into slapstick comedy, Man vs Baby, is a festive farce that checks all the familiar boxes of a cosy British Christmas show – but does so in a trite and overly sentimental way.
The show follows Bingley, played by Atkinson, as he navigates his latest misadventure: finding himself at the centre of a baby swap. The premise is a clever deconstruction of the classic 'lost child' trope, with Bingley's antics providing plenty of opportunities for physical comedy and witty one-liners.
However, beneath its surface-level silliness, Man vs Baby relies on some rather tired tropes to tell its story. A wealthy businessman loses his child, a single dad tries to care for it, and hilarity ensues – we've seen this all before in other Christmas comedies.
One of the show's biggest problems is its reliance on product placement, which feels like a cynical attempt to cash in on the festive season. Cadbury's Heroes feature prominently throughout the series, with characters enthusiastically promoting the brand without any real payoff.
The show's attempts at sentimentality are also overwrought and cringe-worthy. The 'heartwarming' moments between Bingley and the baby feel like they've been lifted straight from a Hallmark Christmas card – and they're not particularly convincing.
In short, Man vs Baby is a comedy that promises much but delivers little. While Rowan Atkinson's physical antics are still entertaining to watch, the show's lack of originality and reliance on tired tropes make it feel like a rehashing of better comedies.
Ultimately, this is a Christmas show for those who can't get enough of saccharine sentimentality – but for anyone looking for something more substantial, Man vs Baby falls flat. As for Atkinson himself? It's clear he's still got the chops to deliver some genuinely funny moments, but it's a shame his latest effort isn't given the same level of creativity as his earlier work with Mr Bean.
The show follows Bingley, played by Atkinson, as he navigates his latest misadventure: finding himself at the centre of a baby swap. The premise is a clever deconstruction of the classic 'lost child' trope, with Bingley's antics providing plenty of opportunities for physical comedy and witty one-liners.
However, beneath its surface-level silliness, Man vs Baby relies on some rather tired tropes to tell its story. A wealthy businessman loses his child, a single dad tries to care for it, and hilarity ensues – we've seen this all before in other Christmas comedies.
One of the show's biggest problems is its reliance on product placement, which feels like a cynical attempt to cash in on the festive season. Cadbury's Heroes feature prominently throughout the series, with characters enthusiastically promoting the brand without any real payoff.
The show's attempts at sentimentality are also overwrought and cringe-worthy. The 'heartwarming' moments between Bingley and the baby feel like they've been lifted straight from a Hallmark Christmas card – and they're not particularly convincing.
In short, Man vs Baby is a comedy that promises much but delivers little. While Rowan Atkinson's physical antics are still entertaining to watch, the show's lack of originality and reliance on tired tropes make it feel like a rehashing of better comedies.
Ultimately, this is a Christmas show for those who can't get enough of saccharine sentimentality – but for anyone looking for something more substantial, Man vs Baby falls flat. As for Atkinson himself? It's clear he's still got the chops to deliver some genuinely funny moments, but it's a shame his latest effort isn't given the same level of creativity as his earlier work with Mr Bean.