Sarah Moss Reveals Why Jane Eyre Trumps Wuthering Heights in Her Heart
In a candid conversation, celebrated author Sarah Moss has confessed that her affinity for Charlotte Brontë's timeless classic, Jane Eyre, far surpasses that of Emily Brontë's infamous novel, Wuthering Heights. While both novels are considered cornerstones of English literature, Moss admits that the abuse and eroticization inherent to Wuthering Heights have lost its appeal for her.
This revelation comes as a surprise, given the historical significance of Wuthering Heights as a pioneering work of feminist literature. However, for Moss, the problematic elements in Wuthering Heights outweigh any literary merit it may possess. "I never liked Wuthering Heights as much as Jane Eyre," she states unequivocally.
The disparity between her opinions on the two novels can be attributed to Moss's growing awareness of the violent and abusive nature of both books during her teenage years. As a result, she began to see the problematic aspects of Wuthering Heights more clearly than its female protagonist, who had initially resonated with her.
This shift in perspective highlights the complex and multifaceted nature of literary interpretation, where readers' experiences and biases can significantly influence their perception of even the most celebrated works. As Moss notes, "All books change my mind... recently Christina Sharpe's Ordinary Notes altered the way I understand much of the world around me."
Moss's statement underscores the dynamic relationship between authors, texts, and readers, emphasizing that literary appreciation is subjective and constantly evolving. By sharing her own thoughts on classic literature, Sarah Moss encourages us to re-examine our expectations and interpretations of timeless works like Wuthering Heights and Jane Eyre.
In a candid conversation, celebrated author Sarah Moss has confessed that her affinity for Charlotte Brontë's timeless classic, Jane Eyre, far surpasses that of Emily Brontë's infamous novel, Wuthering Heights. While both novels are considered cornerstones of English literature, Moss admits that the abuse and eroticization inherent to Wuthering Heights have lost its appeal for her.
This revelation comes as a surprise, given the historical significance of Wuthering Heights as a pioneering work of feminist literature. However, for Moss, the problematic elements in Wuthering Heights outweigh any literary merit it may possess. "I never liked Wuthering Heights as much as Jane Eyre," she states unequivocally.
The disparity between her opinions on the two novels can be attributed to Moss's growing awareness of the violent and abusive nature of both books during her teenage years. As a result, she began to see the problematic aspects of Wuthering Heights more clearly than its female protagonist, who had initially resonated with her.
This shift in perspective highlights the complex and multifaceted nature of literary interpretation, where readers' experiences and biases can significantly influence their perception of even the most celebrated works. As Moss notes, "All books change my mind... recently Christina Sharpe's Ordinary Notes altered the way I understand much of the world around me."
Moss's statement underscores the dynamic relationship between authors, texts, and readers, emphasizing that literary appreciation is subjective and constantly evolving. By sharing her own thoughts on classic literature, Sarah Moss encourages us to re-examine our expectations and interpretations of timeless works like Wuthering Heights and Jane Eyre.
it's all just a bunch of toxic drama between moors and men... meanwhile jane eyre has real feminist vibes 
and a strong, independent heroine who doesn't need no man to save her 
moss is like the ultimate proof that our perspectives on classic books change as we grow up and get more aware of the issues 
I'm not surprised at all that Sarah Moss prefers Jane Eyre over Wuthering Heights. I mean, have you read both? The way Emily Brontë depicts the complex and often toxic relationship between Catherine and Heathcliff is just so... problematic 
. It's like, yeah, it's a product of its time, but does that excuse the abusive behavior towards women? Not in my book. Jane Eyre, on the other hand, is all about female empowerment and agency - I can get behind that 
idk if it's just me or what but i think jane eyre is still my fave too... there's something about jane's strength and independence that i really admire 
anyway, its so cool that sarah moss is speaking out about her thoughts - it makes me wanna re-read both books with fresh eyes 
. It makes me wonder what other classics we might have missed or misinterpreted in the past because of our own biases or experiences. Like, if Sarah Moss can see the problematic elements in Wuthering Heights but still appreciate Jane Eyre, maybe that's just how our minds work... sometimes we can be oblivious to certain themes or messages in a book until they resonate with us on a deeper level. And it's also cool that she mentions Christina Sharpe's Ordinary Notes - I need to read that!
! I mean, can we talk about how refreshingly honest Sarah Moss is? I've always had a soft spot for Jane Eyre too - there's something about Jane's strength and independence that just speaks to me 
. And yeah, let's be real, the whole Wuthering Heights vibe can get pretty toxic if you ask me...the abuse and possessiveness are just so overdone 
. It's awesome that Moss is speaking out and encouraging us to think critically about the books we love (and maybe not love as much anymore 
). I'm all for having a nuanced conversation about literature, and I think this thread is already getting really interesting 
.
. Moss seems to have a point though, our perceptions change as we grow older and get more aware of the issues in literature 
have you tried their new seasonal flavors? I mean, I'm no coffee connoisseur, but I know what I like 
. Anyway, Christina Sharpe's Ordinary Notes sounds fascinating - gotta check it out!
I mean who wants to read about that kind of stuff? #TeamJaneEyre #NotForMe
. I get why Sarah Moss would prefer Jane Eyre - it's like, the ultimate feminist novel