Fela Kuti's Collaborator Recalls Wild Years with Afrobeat Icon
The Nigerian Afrobeat pioneer's legacy has been celebrated recently by both a high-profile podcast produced by the Obamas and a career-spanning box-set. For Lemi Ghariokwu, who was not only an artist but also friend and confidant of Fela Aníkúlápó Kuti, those years were marked by intense collaboration and unbreakable loyalty.
Ghariokwu's journey began in 1974 when he first crossed the threshold of Kalakuta, the Afrobeat pioneer's fiefdom-cum-commune. The space was notorious due to Fela's lifestyle, attracting young people from all over the neighbourhood who sought a more liberated way of life. Upon meeting Ghariokwu for the first time, Fela was struck by his portrait and gifted him 120 naira – a gesture that would become a recurring theme in their relationship.
Their initial meetings were marked by intensity, with Kuti sharing his frustrations about the authorities' increasingly hostile actions against him. As Ghariokwu's skills as an artist improved, he was commissioned to paint Fela for various album covers. However, unlike any other artist working for him at that time, Ghariokwu remained committed to his values.
Their collaboration was built around more than just aesthetic appeal; it was deeply rooted in their shared commitment to pan-Africanism and the fight against social injustice. Their partnership saw Kuti's lyrics becoming more satirical, reflecting his growing anger towards the corrupt government.
The artist's creative vision evolved dramatically as he absorbed the inspirations of a potent dose of marijuana that Fela had prescribed for him. Upon this high, ideas began to flow, guiding Ghariokwu in creating visually striking sleeves that captured the raw emotion and intensity of Kuti's music.
Through many album covers, including 'Alagbon Close', 'No Bread', 'Ikoyi Blindness', and others, Ghariokwu showcased his unique visual identity as a designer who had grown under Fela's guidance. Each sleeve offered a commentary on Nigeria's corrupt society, reflecting the duo's unwavering commitment to social justice.
However, their journey was not without challenges. The raid on Kalakuta in 1977 marked a turning point in their relationship, with Kuti being accused of treason and his mother, Funmilayo Ransome-Kuti, thrown from a second-floor window. Despite this traumatic event, Ghariokwu remained steadfast in his loyalty to Fela.
Ghariokwu recounts how he walked away from Kalakuta after Fela rejected one of his sleeve designs, feeling disrespected and hurt. But years later, the two reconciled, with Ghariokwu continuing to contribute to Kuti's musical legacy until his untimely death in 1997 due to complications from AIDS.
Today, Lemi Ghariokwu looks back on those collaborations as a divine partnership that expanded African culture beyond borders and helped spread Kuti's message of justice, equality, and the power of art.
The Nigerian Afrobeat pioneer's legacy has been celebrated recently by both a high-profile podcast produced by the Obamas and a career-spanning box-set. For Lemi Ghariokwu, who was not only an artist but also friend and confidant of Fela Aníkúlápó Kuti, those years were marked by intense collaboration and unbreakable loyalty.
Ghariokwu's journey began in 1974 when he first crossed the threshold of Kalakuta, the Afrobeat pioneer's fiefdom-cum-commune. The space was notorious due to Fela's lifestyle, attracting young people from all over the neighbourhood who sought a more liberated way of life. Upon meeting Ghariokwu for the first time, Fela was struck by his portrait and gifted him 120 naira – a gesture that would become a recurring theme in their relationship.
Their initial meetings were marked by intensity, with Kuti sharing his frustrations about the authorities' increasingly hostile actions against him. As Ghariokwu's skills as an artist improved, he was commissioned to paint Fela for various album covers. However, unlike any other artist working for him at that time, Ghariokwu remained committed to his values.
Their collaboration was built around more than just aesthetic appeal; it was deeply rooted in their shared commitment to pan-Africanism and the fight against social injustice. Their partnership saw Kuti's lyrics becoming more satirical, reflecting his growing anger towards the corrupt government.
The artist's creative vision evolved dramatically as he absorbed the inspirations of a potent dose of marijuana that Fela had prescribed for him. Upon this high, ideas began to flow, guiding Ghariokwu in creating visually striking sleeves that captured the raw emotion and intensity of Kuti's music.
Through many album covers, including 'Alagbon Close', 'No Bread', 'Ikoyi Blindness', and others, Ghariokwu showcased his unique visual identity as a designer who had grown under Fela's guidance. Each sleeve offered a commentary on Nigeria's corrupt society, reflecting the duo's unwavering commitment to social justice.
However, their journey was not without challenges. The raid on Kalakuta in 1977 marked a turning point in their relationship, with Kuti being accused of treason and his mother, Funmilayo Ransome-Kuti, thrown from a second-floor window. Despite this traumatic event, Ghariokwu remained steadfast in his loyalty to Fela.
Ghariokwu recounts how he walked away from Kalakuta after Fela rejected one of his sleeve designs, feeling disrespected and hurt. But years later, the two reconciled, with Ghariokwu continuing to contribute to Kuti's musical legacy until his untimely death in 1997 due to complications from AIDS.
Today, Lemi Ghariokwu looks back on those collaborations as a divine partnership that expanded African culture beyond borders and helped spread Kuti's message of justice, equality, and the power of art.