A lavish rendition of Henry Purcell's 'Hail! Bright Cecilia' has emerged from French ensemble Le Poème Harmonique and conductor Vincent Dumestre. This sumptuous recording brings to life one of Purcell's most celebrated compositions, an ode to the patron saint of music that exudes a sense of joyous celebration.
Purcell's masterwork is replete with allusions to musical instruments, including the notion that St Cecilia invented the organ. The composer's fertile imagination responded with an impressive array of arias, duets, and choruses, showcasing an astonishing range of instrumental textures, from the soaring violins to the lilting flutes and thunderous kettledrums.
Dumestre leads his ensemble with a deft hand, coaxing a wealth of detail and theatrical flair from each performance. The addition of harp in the continuo provides an added layer of depth and richness to the sound. British tenor Hugo Hymas is particularly noteworthy, bringing a lightness and vulnerability to his performances that is perfectly complemented by imaginative word-painting.
The rest of the soloists are equally impressive, with Paul-Antoine Bénos-Djian's fruity countertenor providing a delightful counterpoint to Hymas in the sensual 'In Vain the Am'rous Flute'. Vlad Crosman brings a sense of awe and wonder to his performance in 'Wondrous Machine!', while John Blow's tuneful 'Welcome, Every Guest' is a welcome bonus, recorded complete for the first time.
Overall, this lavish recording of 'Hail! Bright Cecilia' is a triumph, showcasing Le Poème Harmonique's mastery of period instrumentation and Dumestre's skillful direction. It is a testament to the enduring power of Purcell's music, which continues to inspire and delight audiences with its beauty, wit, and technical wizardry.
Purcell's masterwork is replete with allusions to musical instruments, including the notion that St Cecilia invented the organ. The composer's fertile imagination responded with an impressive array of arias, duets, and choruses, showcasing an astonishing range of instrumental textures, from the soaring violins to the lilting flutes and thunderous kettledrums.
Dumestre leads his ensemble with a deft hand, coaxing a wealth of detail and theatrical flair from each performance. The addition of harp in the continuo provides an added layer of depth and richness to the sound. British tenor Hugo Hymas is particularly noteworthy, bringing a lightness and vulnerability to his performances that is perfectly complemented by imaginative word-painting.
The rest of the soloists are equally impressive, with Paul-Antoine Bénos-Djian's fruity countertenor providing a delightful counterpoint to Hymas in the sensual 'In Vain the Am'rous Flute'. Vlad Crosman brings a sense of awe and wonder to his performance in 'Wondrous Machine!', while John Blow's tuneful 'Welcome, Every Guest' is a welcome bonus, recorded complete for the first time.
Overall, this lavish recording of 'Hail! Bright Cecilia' is a triumph, showcasing Le Poème Harmonique's mastery of period instrumentation and Dumestre's skillful direction. It is a testament to the enduring power of Purcell's music, which continues to inspire and delight audiences with its beauty, wit, and technical wizardry.